Where were the dragons in Priory of the Orange Tree? (And other issues I had)

The Priory of the Orange Tree | Samantha Shannon


So this is going to be a controversial blog post as I’ve seen nothing but good reviews for The Priory of the Orange Tree, especially amongst YA readers but I have a *lot* to say about this high fantasy.

***Minor spoilers ahead***


Although I was a little sceptical going in – comparisons to Tolkein, Shannon’s age and her inexperience with fantasy – I went to an author talk held at work, in the Bloomsbury office, which convinced me to read it. Shannon spoke about her interest in St. George and the Dragon, her love of fantasy and dragon stories growing up and the volume of research she had done while writing. And it would be refreshing to read a high fantasy that wasn’t drowning in medieval patriarchal traditions.

The basis of the book and its history is a reimagining of the St. George and the Dragon myth. In this version Galian Berethnet (the St. George analogue) does not defeat the dragon, but merely claims to and begins a religion in his name. Almost a thousand years later, Queen Sabran, his descendent and ruler of Inys is being pushed towards marriage as her lineage is believed to be the only thing that is keeping the dragon, the Nameless One, trapped.

Saint George and the Dragon, by Paolo Uccello, c.1470. (akg-images/National Gallery, London)

The book follows four perspectives; Ead, a member of the eponymous Priory of the Orange Tree who has been undercover as a handmaiden to Queen Sabran to protect her. Arteloth, a knight from Queen Sabran’s court who is sent on a suicide mission as he threatens Sabran’s marital prospects. Tané, a dragonrider from the East where dragons are worshipped as gods. Finally, Niclays, a Western alchemist who has been exiled after failing to find the elixir of life. The book begins as lesser dragons begin to awaken which will lead to the inevitable reawakening of the Nameless One.

Literally ALL of the Research

During the author talk, Shannon spoke about the amount of research she did before writing her book, and how often she went back to it. She has put a lot of love and care into this world. She knows the titles characters hold and their family trees. She loves to describe the elaborate clothing, from colour to material to little details such as embroidery. She also excels at describing food from both the East and the West. The world she has created is often a luxurious one, especially that of the palace which is described in a lot of detail.

Whilst this builds a solid foundation there’s one problem. It feels like because Shannon has done so much research and has a history for everything, she wanted to include it no matter what. The first 350 or so pages of the book drag with these kind of details. Do we need to know how a certain desert got its name halfway through the story if we are merely passing through it? Shannon has created multiple locations, belief systems and languages yet we spend almost all of our time at court with Ead and Sabran. Even when characters finds themselves travelling across the land, most of the action is limited to the inside of one palace or the next.

Representation =/= Good Writing

One of the reasons this book is being celebrated is because of the diversity of the cast and the main f/f romance. Admittedly, this is fantastic and is done seamlessly with characters being divided on their beliefs regarding dragons rather than their gender, sexuality or race. The unspoken equality between men and women is the gold standard: not remarked upon or pointed at excessively because it is normal.

However, the romantic plot between Ead and Sabran came a little out of nowhere for me. When exactly does Ead’s feelings towards Sabran shift from religious duty to personal affection? If I’m also being nitpicky it’s odd that in a world where no one bats an eye at gay relationships, Shannon chose to proceed down the route of not one, but two illicit gay relationships with no legit marriages to balance this out.

We have a huge cast of characters in this book, to the point that Shannon has also included a list of players at the back of the book. And I didn’t connect with a single one of them. There are two instances where a close friend dies where I made a mental note of it and moved on. It’s also clear early on that the main story is centred around Ead, so the balance between the four points of view is off from the beginning. By the end, characters such as Tané felt like they were only included earlier so that they could fit into the puzzle at the end of the book.


800 Pages is too long for this book

The plot boils down to being a good versus evil story, with the Western dragons being a generic evil. With this in mind, Priory needed better pacing and perhaps needed to be 200 pages shorter.

There is a major plot point featuring a prophetic riddle about the nature of dragons, the balance of the universe and the tools to defeat them. However it almost feels like an afterthought because it doesn’t have much relevance until about halfway through the book. It’s as if Shannon wanted to really establish the history before really committing to the plot. (Which was functional I suppose.) A more skilful writer would have balanced both worldbuilding and plot at the same time. As a result all of the action, plot and consequences happening in the back half of the book.

Shannon burns through plot in the second half of the book. At one point, Sabran loses the throne of Inys but Ead rescues her and then the throne is literally reclaimed within a paragraph. We see Ead in the Priory after many, many pages and her birth mother, Zala is mentioned once. A few dozen pages later it’s revealed that she was murdered. Several nations who have previously had no contact need to unite to fight off the dragons and they all more or less agree straight away. The narrative implies that this is because the threat is clearly huge but it felt lazy.

The revelations and twists come quick and fast and as a result lessen their impact. Coincidence after coincidence is labelled as fate when all the right characters end up in the right place at the right time because the plot required them to be there.

The book ends with a battle with the Nameless One and we get about a chapter of action. The plan to defeat him involves attacking a city called Carscaro as well as the main face-off. My suspicions that we wouldn’t witness both battles were correct and it felt like such a letdown after committing to reading so much.


Here Be Dragons (but not that many. and actually not that frequently)

Are you wondering why I’ve barely mentioned the dragons until now? I’d ask Shannon the same question, because for a world obsessed with them, we don’t get nearly enough dragon action. The fifth part of this book is titled ‘Here be Dragons’ and it is under 100 pages long, the sixth part, featuring the main battle with the Nameless One and his army of dragons and an army of Eastern dragons and their dragon riders, is even shorter. For a book with a dragon on the cover and the mythology based entirely on fire-breathing ‘wyrms’ in the West and water gliding, celestial dragons of the East this was hugely disappointing.


So why did I finish such a long-ass book that I didn’t enjoy?

Well, partly because I’m stubborn. I had decided I was going to finish it so I was. I also wanted to review it having read the whole thing. But I was intrigued by the plot and I felt like it had a lot of potential. Ultimately though it’s too much of a slog to get to the good parts and when you do, it’s a bit of a let down.

What did you think? This is a safe space if like me, you were one of the few people who didn’t like this book (or DNF)!

16 thoughts on “Where were the dragons in Priory of the Orange Tree? (And other issues I had)

  1. Personally I really loved this story, but I do agree that it was too long and some details could have easily be skipped!
    Great review!


    Liked by 1 person

  2. I had the same reaction about this book that you had: too long, too much of the plot left for the end, and too obsessed with its own worldbuilding. I think Shannon was so impressed with and connected to her research that she couldn’t let the insignificant details go, and so we end up with a bloated story that definitely could have been 200 pages shorter.

    Liked by 1 person

    1. Ahaha, I literally found your blog looking for people who had a similar experience of this book. What she has done is admittedly impressive, but she didn’t need include everything to prove it to the reader!

      Liked by 1 person

  3. I haven’t even bothered entertaining the thought of reading it because there is no way I have the time and focus to commit to reading such a long book! This was a great review though of why it didn’t work for you whilst being really respectful and sensitive to Shannon’s efforts.


    1. It took me about 2 months to read (partly the length and partly because I couldn’t commit to carrying it around till I got to the last few hundred pages) so I appreciate the sentiment. Thank you – I know that a lot of time and effort was put into the book so I’m glad that came through in my review.


  4. I felt the same! I love the world that Sarah has built and it was an okay book overall but I definitely think she spent too much time on the little things (like the desert) than moving the plot along or developing the characters further.

    When I finished the book I was a bit underwhelmed because the Big Bad Fight was so short, I wasn’t *really* attached to any of the characters—especially Loth and Niclays—and the only real feeling I had toward the ending was with Sabran and Ead promising to meet again in 10 years (I thought it was sweet, but I do see what you mean about there being no definitive point that the reader sees where Ead’s feelings shift toward romantic). The book was also definitely too long, could have been 200 pages shorter at least.

    I’m so glad that someone else felt the same way, I’ve only been seeing raving reviews for the book

    Liked by 1 person

    1. I think there was a LOT of potential had a bit more time been spent on it.

      And I totally agree, we should have spent way more time seeing the battle and its consequences. I did like the ending between Ead and Sabran, it was very mature and quite realistic.

      Yes, I scoured the internet for reviews that skewed on the negative side, so I’m glad I’m not the only one who felt this way!


  5. Oh my gosh, this is such a comprehensive review, Arub. I LOVE IT. I’ve heard similar things about it from people (including my friend’s parents who were super disappointed by it)–especially regarding the characters. And no matter how intricate and well-researched a world is, if the characters don’t work for me, then the book doesn’t really work. So I probably won’t be picking it up anytime soon.

    But boy, I totally get Shannon’s urge to include everything into her worldbuilding because that’s…kinda..what happens with my WIPs too. XD Like, I’d come across some really cool fact during research and I just NEED to put it into my world. Sigh.

    Liked by 1 person

    1. Thank you Kathy for reading through it!

      I see why that would be appealing, I remember when I’d write essays for uni and had what I thought were fantastic paragraphs but they just didn’t fit with anything. I think it’s finding the right balance and showing your audience what your world is rather than creating a historical guide to it.

      Liked by 1 person

    1. Yes! It’s so frustrating because of how much people seemed to love it and I. just. don’t. get. it.


  6. I’ve been grinding through this book for far too long but much like you refuse to move on out of stubborness. I’m glad so many people seem to be enjoying it because, as you say, it’s almost unheard of to have such amazing representation of race, sexuality, and culture in a fantasy setting, but that being said if you strip away this element it’s the most generic fantasy possible complete with a magic sword, chosen one (or two in this case), and a bombastic good vs evil final battle.


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